everything adventurous

"Shame is the work of memory against forgetting."

- Eating Animals, Jonathan Safran Foer

Apr 30

"Kurt Vonnegut’s Rules for the Short Story 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things–reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them–in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages."

- via advicetowriters.com (via kadrey)

(via bhumithelion)

Jul 13

"Total risk, freedom, discipline” has become my mantra. Those four words say more about my daily life as a writer than the empty term “process” can begin to suggest."

- Constance Hale, author of the forthcoming Vex, Hex, Smash, Smooch: Let Verbs Power Your Writing (via wwnorton)

(Source: sinandsyntax.com, via wwnorton)

Jul 6
vintageanchor:

“You who think of us: they lived only in delusion… Know that we the People of the Book, will never die!”  ― Czesław Miłosz
Jul 1

vintageanchor:

“You who think of us: they lived only in delusion… Know that we the People of the Book, will never die!”
Czesław Miłosz

(Source: vintageanchorbooks)

spencerlewis:

Words to live by from Papa.
Jun 27

spencerlewis:

Words to live by from Papa.

"A good writer is basically a storyteller, not a scholar or a redeemer of mankind."

- Isaac Bashevis Singer, Polish-born American author

May 26
galeriakrakow:

Adam Zagajewski - SZEWSKA
May 25

galeriakrakow:

Adam Zagajewski - SZEWSKA

prefontainorade:

original photo: flickr/denisstuff

AND DON’T BE SORRY.
May 23

prefontainorade:

original photo: flickr/denisstuff

AND DON’T BE SORRY.

(via bhumithelion)

Karmelicka Street, a sky-blue tram, the sun,

September, the first day after vacation,

some have come home from long trips,

armored divisions enter Poland,

children off to school dressed in their best,

white and navy blue, like sails and sea,

like memory and grapes and inspiration.

The trees stand at attention, honoring

the power of young minds that haven’t yet

known fire and sleep and can do what they want,

nothing can stop them

(not counting invisible limits).

The trees greet the young respectfully,

but you—be truthful—envy

that starting out, that setting off

from home, from childhood, from the sweet darkness

that tastes of almonds, raisins, and poppyseeds,

you stop in the store for bread

and then walk home, unhurried,

whistling and humming carelessly;

your school still hasn’t started,

the teachers have gone, the masters remain,

distant as summer, your sleep sails through the clouds

across the sky.



Read more http://www.newyorker.com/fiction/poetry/2007/10/08/071008po_poem_zagajewski#ixzz1vTCref86

May 20
Karmelicka by Adam Zagajewski

"Don’t tell me the moon is shining; show me the glint of light on broken glass."

- Chekhov (via wwnorton)

May 6

"If she did wild or wicked things, it is because she could not help them."

- The Old Man and the Sea, Ernest Hemingway  (via thatkindofwoman)

(Source: kampfmude, via thatkindofwoman)

Apr 24
Apr 18

(Source: scribnerbooks, via npr)

vintageanchor:

“Somewhere, within her, in a deep recess, crouched discontent. She began to lose confidence in the fullness of her life, the glow began to fade from her conception of it. As the days multiplied, her need of something, something vaguely familiar, but which she could not put a name to and hold for definite examination, became almost intolerable. She went through moments of overwhelming anguish. She felt shut in, trapped.”  ―Nella Larsen, Quicksand  Today we celebrate the anniversary of the birthday of Chicago native and novelist Nella Larsen (1891-1964), one of the great writers of the Harlem Renaissance, and author of many short stories, and the novellas PASSING, and QUICKSAND.

Passing changed me. 
Apr 13

vintageanchor:

“Somewhere, within her, in a deep recess, crouched discontent. She began to lose confidence in the fullness of her life, the glow began to fade from her conception of it. As the days multiplied, her need of something, something vaguely familiar, but which she could not put a name to and hold for definite examination, became almost intolerable. She went through moments of overwhelming anguish. She felt shut in, trapped.”
―Nella Larsen, Quicksand

Today we celebrate the anniversary of the birthday of Chicago native and novelist Nella Larsen (1891-1964), one of the great writers of the Harlem Renaissance, and author of many short stories, and the novellas PASSING, and QUICKSAND.

Passing changed me. 

(Source: vintageanchorbooks)

First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers

the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
abroad the sun-flooded schooner
but here alone.
There is a ladder
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it’s a piece of maritime floss
some sundry equipment.

I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one 
to tell me when the ocean
will begin.

First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.

And now: it is easy to forget
what I came for
among so many who have always 
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.

I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or week

the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.

This is the place.
and I am here, the mermaid whose dark hair
streams black, the merman in his armored body
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
Obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments 
that once held to a course
the water-eaten log
the fouled compass

We are, I am, you are
by cowardice or courage
the one who find our way 
back to the scene
carrying a knife, a camera
a book of myths
in which
our names do not appear. 

Adrienne Rich
Mar 28
Diving into the Wreck

wwnorton:

Because altruists are the least sexy people on earth, unable
to say “I want” without embarrassment,

we need to take from them everything they give,
then ask for more,

this is how to excite them, and because it’s exciting
to see them the least bit excited

once again we’ll be doing something for ourselves,
who have no problem taking pleasure,

always desirous and so pleased to be please, we who above all
can be trusted to keep the balance.

Stephen Dunn, from Different Hours

Mar 27
From the Manifesto of the Selfish